Blak, Whyte, Grey by Boy Blue Entertainment at London's Barbican. 2017

Poetry, Leadership, Bold

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Last year, after getting to grips with the double shock of my mother’s stroke and the likely impact of the global pandemic I resolved to use the interregenum wisely. Plans included a set… Continue reading →

Mood: scary fun. A smiling suspended woman with crash hat and safety clothesholds the hand of a smiling man who seems to be pulling her down. It looks windy and there is a feeling of empty space

How far I’ve come. A route through chronic illness.

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Suffering from long covid? A chronic illness? My experiences might help.

Cheerful woman at a podium. She has short hair and glasses and you can only see her arms, upper chest and face

Jo Verrent MBE on art, Unlimited and hats

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Jo Verrent on Unlimited, her career and the MBE

Review; Mogworld, Yahtzee Croshaw

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If you – unlike me – are not so starved of new works that you read all an authors’ works through upon discovering them, read Mogworld first with

book cover of Product Mastery by Geoff Watts

Review: Product Mastery, From Good to Great Product Ownership. Geoff Watts

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Review of the Geoof Watts book Product Mastery. From God to Great Product Ownership.

Review: P.G. Wodehouse Volume One, narrated by Stephen Fry

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What an excellent narrator for the Jeeves Collection is Stephen Fry. He makes the quintessential Berty Wooster seem easy, carrying exactly the intonation, humour, pace and Wooster-ish-ness that I imagined when I first… Continue reading →

Rhea Sheedy during a ballet fusion class. Her right arm is on the barre, her left leg is stretched out and pointed towards the floor. She is wearing pink leggins and a black leotard.

Work out, dance out: ballet meets fitness

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During the third lockdown in the UK I made use of the vast offer of online dance classes and tried a taster class of Ballet Fusion – a mix of ballet technique and fitness.

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Achievements Unlocked

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I wasn’t going to share this until 2021, but was inspired to do so on Friday. I’ll tell you why, but need to put it in context first. I don’t remember when I… Continue reading →

Franziska Rosenzweig in The Dying Swan. She is sitting on the floor, her left leg stretched in an Arabesque, her right leg is bent. Her arms are lifted in the air. She is facing towards the right side of the room.

The Dying Swan: A profound workshop. I didn’t realise what I was getting myself into.

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I feel like I have to write what I experienced in a ballet class. I practiced Swan Lake and didn’t know what emotions it would trigger.

dark room with macdonalis chips falling out of packet on left, unhappy smiley face on right, houses of parliament at back and person talking projected by it

Michael Clark: Cosmic Dancer

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Any exhibition at the Barbican Art Gallery takes me at least three visits to appreciate fully. With its consistent yet quirky curation, multi-screen medley with each screen integral to the other, and every… Continue reading →