Pick of the week: the giant tap-dancing noses of the opera The Nose, produced by Barrie Kosky to Shostakovich’s music.
On the way to snorkel with reef sharks and turtles in the Maldives, our pilot called us and pointed, turning the boat. We strained to make sense of large patches of darkness with… Continue reading
About the final performances of Richard Alston Dance Company
The range of human emotions displayed in ecstatic and contemporary dance with electronic sounds by Fatal Tiger, production by Amanda Lago
‘The Racy, Adventurous Feel.’ A no-spoilers review of London’s Great Gatsby multi-space immersion experience
I’ve always been fascinated by flamenco. Not the woman in scarlet with a rose between her lips. That cliché exists only in the tackiest of tourist shows. Rather, the living art that reaches straight into your heart without the intercession of conscious thought. How better to understand people, contrasts and culture than with an epic trip by train?
London premiere of contemporary dance show BEAT at The Place.
Guest post on Sony Nwachukwu’s choreopoem, part of Making Black History at Poplar Union
Early thoughts on an afternoon viewing works in progress at Charleroi
First impressions of the first day of Objectifs Danse 9