This image of native Australian dancers is part of the one in my Leytonstone Arts Trail installation Printed on oilcloth, it is over 4m wide and 2m hight. I chose to hang… Continue reading
DanceGRiST had a Dancers Pitch Party in December. It was open to anyone involved in DanceGRiST. We played a game, then people pitched their ideas to an illustrious panel of three. I… Continue reading
Any exhibition at the Barbican Art Gallery takes me at least three visits to appreciate fully. With its consistent yet quirky curation, multi-screen medley with each screen integral to the other, and every… Continue reading
BlaQish is an innovative blend of tap, rhythm, hiphop and krump that stays true to the spirit of hiphop culture. Its moves and grooves examine the relationship of those in the Alpha Phi… Continue reading
‘The Racy, Adventurous Feel.’ A no-spoilers review of London’s Great Gatsby multi-space immersion experience
Guest post on Sony Nwachukwu’s choreopoem, part of Making Black History at Poplar Union
REDD by Boy Blue Entertainment; a few impressions
A review of the sharing of Sonny Nwachukwu’s sharing of CIRCLES
Kate Coleman shares her views on the event DanceGRiST at the RSA, held on June 13th 2019
O Medea, Trajal Harrell
by Carole EdrichI love Trajall Harrell’s work; how it makes me feel in the moment, the layering, level of detail, lyricism and patterning. I value it most for what it teaches me, which is why… Continue reading →